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‘Karnan’: A Representation of Subaltern Identity
Cinema is considered one of the most influential mediums to communicate with global audiences irrespective of diversities. It is clear that along with being a medium for entertainment, cinema is also a tool to propagate or communicate various elements of the socio, political and cultural realms of Indian society.[1] In this case, Tamil cinema, popularly…
Rain
The wind that prevailed there,Hummed the tune of the Inevitable approach of her destiny. Slowly faded the light,Evanescing the ray of smile. Dark clouds began to roll up,Spike ups of her ego. All of a sudden, from nowhere,It came…..with immense fury! The outbursts of a long subdued mind! Sun waned,Lightning streaked,Thunder roared,Darkness reigned,And thus it rained…
Moneyball: Economics principles in drama
Several principles like opportunity coss, loss aversion, sunk costs are well depicted in the movie.
Visaaranai: A radical critique of systemic violence from Vetri Maaran
If one follows the current tendencies of Indian mainstream cinema over the past couple of decades, one sees a lack of films that deal with the intersection of caste and class violence perpetrated by the state. Visaaranai is an exception to the norm. Vetri Maaran (the director of the film) is currently considered to be…
The gem in heaven, I owe each of my breath and every dream
And there’s he,
In each of my dreams,
Showering all his blessings upon me,
Always holding me tight, in my screams
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