This sub-category contains film analyses of various movies and series.
The film ‘Mrs’ highlights entrenched patriarchy affecting both men and women, depicting Richa’s struggles with traditional roles, societal expectations, and emotional exhaustion in household duties.
“Dum Laga Ke Haisha” critiques gender roles in 1995 India, exploring societal pressures on women concerning body image and education, while highlighting the imbalance in patriarchal expectations within arranged marriages.
The ‘Natu Natu’ song has a special place in the history of world cinema. Many people have questions like Will Indian cinema win an Oscar? Is a Telugu film going to Oscar? ‘RRR: Raudram Ranam Rudhiram’ has dispelled such suspicions.
Several principles like opportunity coss, loss aversion, sunk costs are well depicted in the movie.
In the months following the emergence of the first known cases of the Covid-19 virus across several countries, the most common and immediate response observed in people was denial. Despite its rising numbers, a vast majority dismissed the virus as similar to one that caused the common flu, attributed Covid-19 deaths to undisclosed diseases and…
The film Khamosh Pani (Silent Waters) portrays how the gender subjugation forms as the undercurrent for the political partition of India and Pakistan into two nations by the British.
Waltair Veerayya is a blasting mass entertainer that feasts Chiru fans after a long time. It is a full-length commercial film made with songs and fights keeping Chiranjeevi’s fans in mind.
Jana Gana Mana, Bheesma Puranam, Jaya Jaya Jaya Jaya Hey, Rorschach, Kumari are among films with originality of screenplay, distinctive making style, creative storytelling, powerful characterization, and so on.
The epilogue of Avatar 2 struggles to close the “main” mission and does not participate in the establishment of a precise story for Avatar 3, scheduled for 2024.
One of them being the strong social message!
A heteronormative, patriarchal society expects conformity and adherence to social norms, and films play a significant role in breaking social stereotypes. Films like ‘Qissa’ are boxed under the genre of parallel cinema and the mainstream audience finds such creative content rather confusing than interesting.
Even today, the oppressed, very particularly the Scheduled Castes including the minority Irulars are unable to procure land grants, are treated with inequality as if they are slaves by the dominant-intermediate caste, and are jailed on false charges.
Login